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Hohokam pottery designs
Hohokam pottery designs













hohokam pottery designs

The Hohokam area of occupation reached its maximum geographic extent during the Sedentary Period. Pottery improved, becoming thinner and stronger, and styles were borrowed from neighbouring peoples. Cotton was added to corn as a major crop, and irrigation canals proliferated the Hohokam began to make canals narrower and deeper in order to minimize water loss through ground absorption and evaporation. Village architecture changed little, except for the addition of ball courts similar to those of the Maya. The first centuries of the Common Era saw the development of three major farming complexes in the Southwest, all of which relied to some.ĭuring the subsequent Colonial Period, Hohokam culture expanded to influence all of what is now the southern half of Arizona.

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  • In this study, firing experiments and ceramic analysis are used in conjunction with excavation evidence to evaluate competing ideas about the buff ware manufacturing process, investigate where the pots were made, and model the developmental history of red-on-buff production. To manufacture it, Hohokam potters used a complicated recipe and controls for firing to chemically manipulate their clay and produce a light-colored fabric on which to paint their red designs. In this study, firing experiments and ceramic analysis are used in conjunction with excavation evidence to evaluate competing ideas about the buff ware manufacturing process, investigate where the pots were made, and model the developmental history of red-on-buff production.ĪB - A distinctive red-on-buff pottery, found throughout central and southern Arizona, is a hallmark of prehistoric Hohokam culture. N2 - A distinctive red-on-buff pottery, found throughout central and southern Arizona, is a hallmark of prehistoric Hohokam culture. Trinkle Jones and three anonymous reviewers provided several helpful comments on a previous draft. Potters Matt Thomas and Tobias Manuel provided clay samples for analysis. Michael Barton and Brenda Shears at Arizona State University and Arthur Vokes and Michael Jacobs at the Arizona State Museum are gratefully acknowledged for their assistance with curated collections. The GARP ceramic analysis was completed with the assistance of Alexa Smith and Tina Love. Without her dedicated and meticulous work, this paper would not have been possible. Tina Love assisted in various aspects of the study, including the fabrication, firing, and analysis of the test tiles. It was funded by a contract with the Arizona Department of Transportation. Kathleen Henderson and Douglas Craig at Northland Research, Inc., Tempe, AZ.

    hohokam pottery designs

    The Grewe Archaeological Research Project was directed by T. T2 - some experimental and analytical results T1 - The process, location, and history of Hohokam Buff ware production















    Hohokam pottery designs